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Although it is seldom seen today, in 1970 Constantin Costa-Gavras’ “Z” picked up both the Original York Film Critics Circle Award for Best Relate and an Academy Award as Best Foreign Film. In the wake of the John and Robert Kennedy and Martin Luther King assassinations of the 1960s and fueled by the later Watergate scandal, the film had immense resonance with American audiences, becoming one of the highest grossing foreign language films ever released in that market.

Based on the current by Vassilis Vassilikos, which was itself based on the 1966 “Lambrakis Affair” in Greece, “Z” is at once a political thriller and satire. Spot in an unnamed nation, it presents a politician who is strongly considerable of American and Russian nuclear do up and his nation’s participation in it. Denounced by the site quo as a communist, he is met with civic obstruction when he arrives to give a speech and afterward is struck down and killed by a speeding truck in the streets. A drunk driving accident, according to local officials. An assassination, according to his entourage.

Although the film has a somewhat humdrum and perilous get, once fully underway it becomes a rapid-fire series of sharply edited scenes in which the sloppy assassination state is unraveled by a dispassionate magistrate sent to conduct an investigation–an investigation plagued by assaults on witnesses and civic cover-up. But in such a inferior society, can the fleshy truth ever be known?

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Director Costa-Gavras walks a very blooming line here, presenting the characters as archetypes but endowing them yet endowing with enough human emotion to win our interests and sympathies. And the cast is worthy, with Yves Montond, Irene Papas, and Jean-Louis Trintignant particularly important. The script is at once chilling and covertly comical, jeering at officialdom around the corners of its more serious business, and the overall observe of the film–particularly in the violent crowd scenes–is truly memorable.

The film has been restored to a pristine condition in its new widescreen and the DVD offers a number of language subtitles (including English) in easy-to-read yellow script. Bonus features are dinky, but include the recent trailer, samples of restoration work, and an extremely appealing conversation between novelist Vassilikos and director Costa-Gavras. Consta-Gravas also offers an audio-commentary–in French, which will be frustrating for those who (like me) do not snarl the language.

Although some viewers may not even view the satirical tone of the film, and while some will be attach off by its distinctly liberal slant, I consider most viewers–including those who don’t normally care for foreign film–will collect “Z” a tantalizing run, particularly if they enjoyed the likes of JFK or THE MANCHURIAN CANDIDATE. Time may have dimmed the origins of the share, but sadly the subject of governmental corruption and the mendacity of powerbrokers remains as timely as ever.

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GFT, Amazon Reviewer

Z is a political thriller with few action scenes,none of the “thrills” associated with conevntional thrillers. The Destroy takes situation fairly early on,and it is sure who is respnosible. The thrill is in the dogged investigation by an incorruptible magistrate{interesting comparison to Stones’s JFK},which leads to the highest seats of government. Based on a terrific original by Vassilis Vassilikos{and an helpful screenplay by Jorge Semprun},this tells the account of the destroy of the Greek parliamentarian and doctor Gregory Lambrakis.That it was a political assasination is positive,though the complicity is so multilayered that it appears that the truth will never arrive out. Yves Montand is,as usual, proper as Lambrakis [referred to as Z throughout the film.Z comes from the Greek verb zei, HE LIVES} Irene Pappas is his suffering wife{and widow}. Costa-Gavras travelled this territory often, {the Confession, Missing} though not with this brilliance. The editing is crsip,leading to the sense of breathlessness among the defendents. I will leave the ending to the viewer.This is probably the best political thriller that I have ever seen, and 31 years later,is till first-rate,if not smart
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