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The tagline(s) for the third installment in the Shaft trilogy says it all. “The brother man in the motherland”, & “Shaft is stickin it all the blueprint”. Shaft is recruited to end a slavery racket..(Africa to France) . Shaft,(Richard Roundtree) is in top perform as a hard lovin, hard fightin, detective/spy in this flick. Shaft abandons his “iron” and uses a stick in some well choreographed fighting scenes. Plenty of violence is served up as the man overseeing the slavery racket, Vincent Amafi (Frank Finlay) is aware of Shaft’s identity, thanks to a double agent, Wassa (Debebe Eshetu) . Shaft also has his hands paunchy with two fair women, as he romances fair Vonetta McGee and beds femme fatale Neda Arneric. (Vonetta McGee) Aleme - is the daughter of the Emir Ramila (Cy Grant) who hires Shaft to infiltrate the international slave trading racket. Shaft will pose as local native, who will create the creep from Africa to Paris to bring down the racket working from the inside. Aleme gives Shaft a tutorial in the tribal customs and the language spoken preparing him for his glide to Africa. She initially resists Shaft’s charms, but of course he ultimately wins her over. Plenty of nudity is served up in the last of the Shaft trilogy, including Shaft himself in a nude stick fighting sequence.
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The most intriguing sex scene would be Shaft’s one night stand aboard the slave ship with beautiful Neda Arneric (Yugoslavian actress) . The young, blonde, blue eyed Arneric makes her American film debut as Amafi’s mistress..Jazar. In an earlier scene Jazar tells Amafi, she will volunteer to distract Shaft, so that Wassa can retract out our hero. During this leg of the meander, Shaft boards the slave smuggling ship that will trail across the Mediterranean sea. After Jazar lays eyes on Shaft, she provides instructions to Wassa on how he must gather Shaft to her cabin. Wassa wants to recall out Shaft factual away, but Jazar blackmails him, thus ensuring she gets to experience “the sex machine to all the chicks”, first. That evening, she lures him into her cabin for what turns out to be an incredibly sexy and steamy seduction scene. Arneric is radiant, but merely serves as peruse candy to the male viewer, wearing only a teeny weeny blue bikini aboard the ship, and later on, uh em…. nothing. Although Shaft’s cloak is blown from the beginning of the film, he makes his plot to Paris, avoiding several attempts on his life. Once in Paris, he brings down the the slavery racket, as he frees the itinerant workers from bondage. Shaft offers plenty of one liners worthy like british agent…007. One line is totally hilarious when Shaft is asked if he knows how to mosey a camel to inappropriate the desert. His reply, “no sail camel, toddle ass”. The musical accumulate and more specifically, Johnny Pate’s guitar work, spices up some scenes. The Four Tops provide the theme song, “Are You Man Enough”. This film definitely has the flavor of a Bond flick as Shaft gets a couple of gadgets for his mission. A determined step away from the first two Shaft movies and last in the Shaft trilogy.
Though the second sequel to “Shaft,” there’s no remaining ticket of the first two “blaxploitation” films. “Shaft in Africa” looks more like a big-budget 007 film, and instead of Roger Moore, achieve Richard Roundtree in the hero’s role.
The pair of director John Guillermin and writer Stirling Silliphant will definetely reminds you of “Towering Inferno,” pinnacle of the “anxiety movies” in vogue in the 70s, and “Shaft in Africa” has the same feeling — it is packed with actions and violence, plus costly status (or shots on position) . This time Shaft, in order to terminate the modern-day slave trading in Africa, has to endure a chains of brutal attacks from enemies and the scorching heat of Afraica. The globe-trotting tale leads him from NYC to Ethiopia, and then to France. And Shaft doesn’t forget that he is THE sexy guy; Shaft’s cherish is played by ravishing princess Vonetta McGee, and he even spends a marvelous time with a white girl in bed.
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If you interrogate “blaxploitation” films in “Shaft in Africa” you may be diappointed. It is no longer that. The total tone is nearer to films of James Bond (to which Shaft refers briefly) and actions never discontinuance coming on cloak between Shaft’s one-liners. As far as the actions are concerned, it never lets you down, and you will peer recent things here and there that you can fetch only in the 70s: in one scene Shaft, completely naked, proves that he can do stick-fighting (!) .
Overall, “Shaft in Africa” is a obedient action film. Often its violence is excessive, but the film’s scuttle is always slick and Roundtree plays convincingly the icy and sexy hero. There is no more Isaac Hayes theme song, but Four Tops’s titanic song will create you forget that. And don’t miss the airport scene in which Shaft has to retract a photo with a lion. This lion (of course, he is a genuine one) is intrepid enough to give him a lickety-split, threatening survey to him. Shaft (or Roundtree) doesn’t behold contented about that.
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