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Dellamorte Dellamore (Michele Soavi, 1994)
Soavi, who got his launch as an assistant director to Italian awe god Dario Argento, spent his time making obscure B-movies until he stumbled upon Dellamorte Dellamore (Of Fancy and Death, but released in America under the title Cemetery Man), Giovanni Rimoli (Trauma) ’s adaptation of Tiziano Sclavi’s recent of the same name (one of the highly-praised and favorite Dylan Dog novels that have made Sclavi a household name in most countries that are not on this side of the Atlantic) .
Set in Dylan Dog’s hometown of Buffalore, Dellamorte Dellamore is the fable of Francesco Dellamorte (Rupert Everett, who should need no introduction), the caretaker at a cemetery infected by a plague that causes the dumb to reach encourage to life seven days after being interred. Dellamorte (whose name translates as “St. Francis of the Uninteresting”) takes it all in dash, keeping around a variety of inventive weapons with which to re-dispatch the unimaginative. After all, all that gravedigging means a lot of overtime pay, fair? Dellamorte’s sole companion in life is his sidekick, the seemingly mentally challenged Gnaghi (Francois Hadji-Lazaro, recently in Brotherhood of the Wolf, but probably best remembered for his unforgettable role in City of the Lost Children) . Until, that is, he spies the most pretty woman (Italian supermodel Anna Falchi) he’s ever seen at a funeral. Immediately, you know you’re not watching your everyday dismay film; Dellamorte becomes a bumbling romantic-comedy film star around her. And yes, that’s what you’ve got here–a romantic comedy. With zombies.
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The comedy/horror blend works extremely well, and in the process doesn’t hold the viewer from seeing that there’s a lot more underneath the hood than the surface would articulate. (This is hinted at throughout, but becomes positive in the final scene thanks to a startling trick Soavi hands us; glance closely, because you may not find it unless you do. It’s vivid.) Dellamorte and Gnaghi are complex characters on the surface, but there are clues throughout the movie as to their deeper motivations and understandings of the things going on around them. To me, this is living proof that Rupert Everett is a better romantic comedy lead than Hugh Grant, but that’s impartial me. (Hugh Grant hasn’t worked with zombies!)
Dellamorte Dellamore is one of those movies you can’t really acquire was made in the nineties. Quick-witted, beautifully-shot, low-budget horror/comedy that looks as if it came out of Dario Argento’s salad days (or out of Japan; there’s more than one aspect of this film that reminds me of the bright My Left Sight Sees Ghosts) . I can’t recommend this astounding film highly enough. Go as far out of your scheme as you need to to gather this one. **** ½
If you’re looking for geniuninely amusing, creepy and fine fear film gawk no further.
Cemetery Man (aka Dellamorte Dellamore) tells the myth of unlucky in life cemetery watchman Francesco Dellamorte. Watching over the Buffalora cemetery is no easy task, particularly when the monotonous approach wait on to life after seven days. And these are no ordinary zombies folks. The “Returners” truly embrace that at one with the earth bit that you hear some people saying they wish to be when they die. Perhaps if they recognize this movie first, they’ll reflect twice about that.
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Poor Dellamorte can’t seem to score along with anyone, not his mentally monotonous assistant, Gnaghi, not the resplendent “She”, nor anyone in town. He even seems at odds with the obsolete Grim Reaper himself.
The humor is decidely dim and hilarious. Of the many times I’ve seen this movie since 1994, it gets funnier all the time. Rupert Everett is marvellous as Francesco, as is the teenage actress who portrays the Re-Animator-like zombie Valentina.
The FX are stout, the zombies awesome. The site chaotic and very fun. This has got to be the best anxiety film of its type this decade. A note: Some people may pick up the tone of the film a bit harsh toward women, (I don’t. Particularly when compared to most Italian/Spanish zombie/horror films) .
This should have ushered in a original era of zombie films, but sadly did not.
Don’t miss this…
and remember No Deposit, No Returner!
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